{"id":34311,"date":"2012-10-25T22:14:00","date_gmt":"2012-10-25T15:44:00","guid":{"rendered":"http:\/\/130.212.18.18\/wpmmk\/wp\/archives\/34311"},"modified":"2012-10-25T22:14:00","modified_gmt":"2012-10-25T15:44:00","slug":"la-grande-dame-de-la-myanmar-writing","status":"publish","type":"post","link":"https:\/\/moemaka.net\/wpmmk\/archives\/34311","title":{"rendered":"La Grande Dame de la Myanmar Writing"},"content":{"rendered":"<div dir=\"ltr\" trbidi=\"on\">\n<table align=\"center\" cellpadding=\"0\" cellspacing=\"0\">\n<tbody>\n<tr>\n<td><a href=\"http:\/\/1.bp.blogspot.com\/-V0Unr7XYKeA\/UIlcyk-GppI\/AAAAAAAAA7Q\/3OrPqSqKVOI\/s1600\/Here.jpg\" imageanchor=\"1\"><img decoding=\"async\" border=\"0\" src=\"http:\/\/1.bp.blogspot.com\/-V0Unr7XYKeA\/UIlcyk-GppI\/AAAAAAAAA7Q\/3OrPqSqKVOI\/s1600\/Here.jpg\"><\/a><\/td>\n<\/tr>\n<tr>\n<td>1915 &#8211; 1999<\/td>\n<td><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p><!--[if gte mso 9]><xml> <w:WordDocument>  <w:View>Normal<\/w:View>  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\tmso-para-margin-left:0in; \tline-height:115%; \tmso-pagination:widow-orphan; \tfont-size:11.0pt; \tfont-family:\"Calibri\",\"sans-serif\"; \tmso-ascii-font-family:Calibri; \tmso-ascii-theme-font:minor-latin; \tmso-fareast-font-family:\"Times New Roman\"; \tmso-fareast-theme-font:minor-fareast; \tmso-hansi-font-family:Calibri; \tmso-hansi-theme-font:minor-latin;} <\/style>\n\n<![endif]--><!--[if gte mso 9]><xml> <o:shapedefaults v:ext=\"edit\" spidmax=\"1026\"\/><\/xml><![endif]--><!--[if gte mso 9]><xml> <o:shapelayout v:ext=\"edit\">  <o:idmap v:ext=\"edit\" data=\"1\"\/> <\/o:shapelayout><\/xml><![endif]--><\/p>\n<div><span>Here is the biography of my grandma \u2013 khin myo chit. It was written by<\/span><\/div>\n<div><span><br \/><span>Dr.Khin Maung Win (only son of my grandma)<\/span><\/span><\/div>\n<div><\/div>\n<div><span><span>KHIN MYO CHIT<\/span><\/span><\/div>\n<div><\/div>\n<div><span>writer and journalist<\/span><\/div>\n<div><span><br \/>(1915-1999)<\/span><\/div>\n<div><\/div>\n<div><span><span>La Grande Dame de la Myanmar Writing<\/span><\/span><\/div>\n<div><\/div>\n<div><span>Very few people know thqt her real name is Ma Khin Mya. Her close<br \/>relative andfriends call her by her real name.Young people call her Ma<br \/>Ma Mya or Aunty Mya.Older people call he Ma Khin Mya.But to most<br \/>people she was known under her pen name, Khin Myo Chit.<br \/>She was born at the time when people generally had low expectations of<br \/>women, when no parent would hear of a young respectable lady entering<br \/>a profesion anda humanitarian education may be permitted , but only to<br \/>be able to write B,A under one&#8217;s name and make impressions on people.<br \/>&#8216;What a pity she &#8216;s a girl&#8217; that&#8217;s what she always heard people saying<br \/>all the time.<br \/>Her grandmother had been a maid of honour at the court of King<br \/>Mindon.Many timesshe recounted to her the events leading to the mass<br \/>excution of King Thibaw&#8217;s royalrelative by the Queen Suphayalatt.&#8217;It&#8217;s<br \/>a blot on our hitory&#8217;.She used to say.She then related to her how the<br \/>great warrier prince like Prince Kanaung,the Thonsaire Minhagyi<br \/>(literally translated the great Prince Thirty, so named because he<br \/>could climb up a wall ofthirtyyards in height using his bea hands and<br \/>feet) and many others were executed duringan internal intrigue.&#8217;We lot<br \/>all the great warrier princes, so that when the Britishmarched to the<br \/>capital city of Uupper Myanmar , there was not even one personto throw<br \/>a stone at the invaders.&#8217;<br \/>She asked,&#8217;Do you mean to say, grandma, that if these warriior princes<br \/>were there, Upper Myanmar would not have fallen unde the british Rule<br \/>?&#8217; &#8216;No&#8217; , said her grandmother.&#8217;We would still loe the war, for, at<br \/>that time, no one could stop the riing of the British Empire.But at<br \/>least the batle of Upper Burma could have earned a place in the annals<br \/>of war like Hnnibal&#8217;s fight against Rome, or King Arthur&#8217;s fight<br \/>against the Saxons, or KingHarold&#8217;s fight against the invading<br \/>Normans&#8217; .<br \/>Her literary career began in 1932 when she translated a poem of Sir<br \/>Walter Scott and sent to theYangon University magazine.But she didn&#8217;t<br \/>put her name, being kind of shy to do that. The poem was about<br \/>Patriotism and when it was published , the editor put the pen name \u2013<br \/>Khin Myo Chit (meaning lady who loves her country or Miss Patriot).<br \/>That was how she made her debut in the literary field,and arned her<br \/>pen name.But all was not well at home. With her father&#8217;s<br \/>obstructiveness and her mother&#8217;s disapproval of &#8216;clever girls&#8217; ,<br \/>thingsgot from bad to worse.She was not allowed to do any writing in<br \/>peace . Her mother scolded her more and more.Her father threatened to<br \/>burn her pjapers.She had to hide them and do her writing when everyone<br \/>was in bed.<br \/>I shall not dwell too ,uch on the story of her unhappy childhood and<br \/>her ecape from the tyranny of her father.It could have made something<br \/>torn from the pages of a Dickens novel and could hzve eaned her a<br \/>nick-name like &#8216;female David Copperfield&#8217;.<br \/>Regarding her meeting with my father, U Khin Maung<br \/>Latt(1915-1996),whom she refered to as &#8216;Ko Latt&#8217;, she wrote in her<br \/>autobiography as follows :<br \/>&#8221;He was theboy next door.He had left college, an undergraduate, not<br \/>being able to continue his studies because of the decline in family<br \/>fortunes.He was having a short lull at home while looking for a job.<br \/>He was a voracious reader and we sharedthe same interestsin books.I<br \/>read the books he recommended and he returned the compliment . We read<br \/>&#8216;Little Women&#8217; , one of my favourite books and he called me teasingly<br \/>&#8216;Jo&#8217;.We had a fine time talking of books.It seemed that we had<br \/>launched on a long and timeless talk which could lead to one thing a<br \/>life-long alliance.&#8221;<br \/>Regarding her political invilvements of 1937 and afterwards, she wrote:<br \/>&#8220;Had this even tenor of our way gone on for a few months or so, Ko<br \/>Latt and I might have sipped quietly into mqrried life. My rosy dreams<br \/>of the future during the interval of a few months before our marriage<br \/>tuned out to be a nightmare of tormy incidents.It was the fate of the<br \/>country that swept most of our dreams away.By a cruel trick of fate,<br \/>we became part of that mighty tidal wave which we were but a tiny<br \/>ripple. &#8220;<br \/>She recountd the part she played in the demonstration of 1938 as follows;<br \/>&#8220;Three girls and I happened to be in front of line right after the<br \/>standard bearers.It was a rude shock when we found ourselves confonted<br \/>by baton weilding policemen, some mounted on horseback.All of a sudden<br \/>like a sequence on a cinema screen everything became a confusion of<br \/>horses&#8217;legs and batons.To my horror, I saw girls falling in pools of<br \/>blood.As I tried to pick them up, blows fell on me.&#8221;<br \/>She lived through the stormy times of the British Regime; the Japanese<br \/>Regime;the Struggle for independebce;sharing the joys and sorrows of<br \/>the political figures .<br \/>Also in her autobiography , she recounted a difficult phrase of her<br \/>life in the following way.<br \/>&#8220;Now,I have come to oneof the most difficult chapters of my life,for<br \/>it was then that my misadventures strayed into the realms of faith and<br \/>religion.<br \/>I was prejudiced against meditatio of wny religious practice which I<br \/>took to be only for people who had nothing better to do or those who<br \/>wanted to put on ais of holiness or those who had no change to face<br \/>life\u2026.I thought.&#8221;<br \/>The story of how her meeting with two monks changed her outlook and<br \/>made her regain her faith in Buddhism cannot be told here, for that<br \/>alone would have made treatise on Buddhism.<br \/>She became a mother-in-law in 1967, a grandmother of twins,a boy and a<br \/>girl,in 1968.In an interview with a writer,Alex wood,in 1970,she<br \/>said,&#8221;I am proud of being a good grandmother and housekeeper,but I<br \/>have never let this interfere with any of my cultural interests.I am<br \/>glad that I rediscovered the art of Myanmar Zatpwe(a kind of a mixture<br \/>of play,concert and opera)in time to stop me from becming an<br \/>intefering mum-in-law and an over doddering granny.Friends rubbed<br \/>their hands when the twins were born and said it would be the end of<br \/>my freedom.But of course,it wasn&#8217;t.I&#8217;m organising myself better and<br \/>witing more than before.&#8221;<br \/>The landmarks of her literary career may be summed up in the following way:<\/span><\/div>\n<div><span>Khin Myo Chit was born on may 1, 1915 in Sit Kaing(Upper Burma).<br \/>1932\u2026\u2026\u2026\u2026\u2026.Patriotism(a poem that earned her pen name)<br \/>1963\u2026\u2026\u2026\u2026\u2026.Collge Girl(a novelette for serialization in &#8216;The Sun&#8217; a daily paper)<br \/>1963 to 1968..: Heroes of Old Burma ,<br \/>\u2026\u2026\u2026\u2026\u2026\u2026\u2026. : Quest for Peace (an autobiography)<br \/>(Both serialized in &#8216;The Working Peoples&#8217;Daily.&#8217;)<br \/>1970\u2026\u2026\u2026\u2026&#8230;.:Her Infinfite Variety<br \/>(a prize-winning short story in the &#8216;Horizon&#8217; magazine short story competition.)<br \/>\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026.:The Four Puppets<br \/>(included in &#8216;Folk Tales of Asis&#8217;,UNESCO)<br \/>\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026:Anawrahta of Burma<br \/>(publication of &#8216;Heroes of Old Burma&#8217;, which was later re-printed<br \/>under the titles,<br \/>&#8216;Anawhta&#8217; and &#8216;King Among Men&#8217;)<br \/>1976\u2026\u2026\u2026\u2026..:Colourful Burma<br \/>(a pratical and poetic guide for the visitors who wants something better than<br \/>a tourist view of Burma.Later reprinted under the &#8216;Colourful Myanmar&#8217;.)<br \/>1977\u2026\u2026\u2026\u2026..:Flowers and festivals round the Burmese Year<br \/>\u2026\u2026\u2026\u2026\u2026\u2026\u2026.:Kyaikhtiyo<br \/>(a short history of Kyaikhtiyo Pagoda,published in the Asia magazine)<br \/>1981\u2026\u2026\u2026\u2026..:A Pagoda Where Fairy Tale Characters Come to Life<br \/>(A tale-loke description of Mai La Mu Pagoda in the outskirts of Yangon,<br \/>published in the Asia Magazine)<br \/>1984\u2026\u2026\u2026\u2026.:A Wonderland of Burmese Legends<br \/>(published by the Tamarind Press in Bangkok , later reprinted in Burma under<br \/>the title &#8216;A Wonderland of Pagoda Legends&#8217;)<br \/>1995\u2026\u2026\u2026\u2026:Gift of Laughter<br \/>(on the picturesque speech of the people of Hla Daw,<br \/>A village in Central Burmam , selection of which have been published<br \/>In the &#8216;Pyinsa Rupa &#8216; magazine)<br \/>Conclusion<br \/>During the last years of her life, deblitating and disfiguring<br \/>arthrithic pains made her spend most of her time in bed.Regarding her<br \/>fight against the spasms of pain , she remarled,&#8221;Sometimes I lose,<br \/>sometimes they win&#8221;.Quite surprisingly, compared to what she suffered,<br \/>she died in peace.<\/span><\/div>\n<div><\/div>\n<p><\/div>\n","protected":false},"excerpt":{"rendered":"<p>1915 &#8211; 1999 Here is the biography of my grandma \u2013 khin myo chit. It was written by Dr.Khin Maung Win (only son of my grandma) KHIN MYO CHIT writer&hellip; <\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-34311","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"_links":{"self":[{"href":"https:\/\/moemaka.net\/wpmmk\/wp-json\/wp\/v2\/posts\/34311"}],"collection":[{"href":"https:\/\/moemaka.net\/wpmmk\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/moemaka.net\/wpmmk\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/moemaka.net\/wpmmk\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/moemaka.net\/wpmmk\/wp-json\/wp\/v2\/comments?post=34311"}],"version-history":[{"count":0,"href":"https:\/\/moemaka.net\/wpmmk\/wp-json\/wp\/v2\/posts\/34311\/revisions"}],"wp:attachment":[{"href":"https:\/\/moemaka.net\/wpmmk\/wp-json\/wp\/v2\/media?parent=34311"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/moemaka.net\/wpmmk\/wp-json\/wp\/v2\/categories?post=34311"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/moemaka.net\/wpmmk\/wp-json\/wp\/v2\/tags?post=34311"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}